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1Images
Group of entertainers
Group of female musicians dressed in both men and women clothing with their instruments
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1Images
Group of entertainers
Group of female musicians dressed in both men's and women's clothing with their instruments.
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1Images
Group of female entertainers with their instruments
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1Images
Painting by Sani‘ al-Mulk
Pictured, from the left, are: Mas‘ud Mirza, Sultan Khanum, Mirza Haydar ‘Ali, Mirza ‘Ali Akbar Khan Farahani, Hasan Khan, ‘Ali Akbar, ‘Abd Allah Khan ‘Ala’ al-Mulk, and Kawkab Khanum.
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Group portrait
According to the inscription on recto, pictured, from the left, are, in the front row: Mirza ‘Abd Allah, the Tar player; Aqa Muttalib, the Santur player and son of Muhammad Sadiq; the son of Khushnavaz Khan, the deceased Kamancheh player; and ‘Ali Jan Kamancheh player, and in the back row: the singer of Isma‘il Bazzaz, the dancer of Isma‘il Bazzaz, Isma‘il Bazzaz himself, and the Tonbak player of Isma‘il Bazzaz.
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Surur al-Mulk and others
Muhammad Sadiq Khan Surur al-Mulk (Ra’is), accompanied by his sons and his brother. According to the inscription, pictured from the left, are: Muhammad Sadiq Khan Ra’is, Muttalib Khan (son of Muhammad Sadiq Khan), and Mirza Shafi‘ (brother of Muhammad Sadiq Khan).
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Mirza Husaynquli and ‘Ali Akbar Shahnazi
Mirza Husaynquli and his son, ‘Ali Akbar Shahnazi; the inscription on the recto reads: "the dear master: Mr. ‘Ali Akbar Shahnazi."
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Group of entertainers with their instruments
Including boys dressed as girls
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3Images
Report by Nasr Allah
Nasr Allah, the village chief of Mulla ʻAbbasi, writes about two Bakhtiyari horsemen who went to the house of a resident who had a daughter, and the temporary marriage between the girl and one of the horsemen. Two of Ahmadvand Mihr ʻAli Khani's horsemen were in the same house, and they brought a Kurdish man to sing and celebrate until morning. In the morning, the Kurdish man disappeared, and a few items were stolen from the Bakhtiari horsemen. Now, the Bakhtiyari horsemen are accusing the two other horsemen of stealing the items.
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50Images
Basat-i nishat
A sarcastic and male-centered essay in which noble women are "ugly" or old, and female slaves are pretty, kind and well-behaved.There are parts on men's desire for men and women's desire for women, vows of sisterhood, preparation of the bride and groom for the wedding night, wives and husbands relationships, etc. Parts of the document refer to Kulsum Nanah. At the end, there is a review of different types of pleasure according to their length.
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- Dmusic
Collections
- Qajar Music Collection(8)
- Institute for Iranian Contemporary Historical Studies(8)
- Bita Ameri(2)
- Amir Hossein Nikpour(2)
- Tehran University Central Library(1)
- Majlis Library, Museum and Document Center(1)
- Majlis Document Center -- Farmanfarma documents(1)
- Majid Khalil-zadah(1)
- Center for Iranian Jewish Oral History(1)
- Azardukht Qahramani(1)
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Transcription
Periods
- D Muzaffar al-Din Shah